Florence Durant

The royal sactuary is arguably the most important chamber in the palace. It is here that, in former times, a sanctuarian priest held daily rituals designed to uplift the spirits of worshippers and – I am sorry to say – crush the spirits of slaves. The Emorians, rightly appalled by the Koretians' treatment of their slaves, built part of their new palace over the burning ground just outside the courtyard, which lay within easy sight of the sanctuary.

Despite its despicable misdeeds of the past, Koretia's priesthood has survived to the present day. The Jackal, who is also High Priest of Koretia, holds annual services to honor the slaves who served and died in Koretia; these services are often attended by the few slaves who survived their treatment. Some of these slaves remain dead in mind but come willingly to this service, drawn here by the Jackal, who is the god of death and who therefore watches over their spirits in the Land Beyond. To witness these dead-in-mind men and women gather around the Jackal is a deeply moving experience - a living monument to the Koretian belief that the gods can transform evil into good.

The royal sanctuary was desecrated at the time of the Emorian invasion of 961; the sanctuary was used to stable horses in the years that followed. After the Emorians withdrew from Koretia in 976, the chamber remained empty for many years. In 987, on the twenty-fifth anniversary of the liberation of Koretia's slaves by the Emorians, the chamber was rededicated under the name of the Royal Sanctuary of the Living Dead. It is now a memorial to the suffering of Koretia's former slaves.

Conveniently for visitors, the royal sanctuary can be visited separately from the rest of the palace. The sanctuary now has its own entrance, unconnected to the royal residence or any other portion of the Koretian palace.

[Translator's note: The Royal Sanctuary plays a dramatic role in Death Mask.]